Salaar Box Office Day 6: Prabhas And Prashanth Neel Film Dips Further, Earns Rs 17 Crore
Salaar Box Office Day 6: Prabhas And Prashanth Neel Film Dips Further, Earns Rs 17 Crore
Salaar stars Prabhas and Prithviraj Sukumaran in the lead roles.

Salaar: Cease Fire – Part 1, starring Prabhas and Prithviraj Sukumaran, has further dipped at the domestic box office on the sixth day of its release. The film, directed by Prashanth Neel of KGF fame, only managed to collect Rs 17 crore net in India for all languages on Tuesday, December 26, 2023. The film had minted over Rs 23.50 crore yesterday.

According to a report in Sacknilk, the film had an overall 28.02% Telugu occupancy on Wednesday, and had an overall 21.56% Malayalam occupancy. The film that also stars Shruti Haasan had an overall 18.20% Tamil occupancy and 22.95% Kannada occupancy. The film had an overall 28.98% Hindi Occupancy on Wednesday, December 27, 2023.

Salaar had earned around Rs 95 crore in India on its opening day across all languages. However, on day two, it dropped to Rs 56.35 crore. On day three, the film jumped again at the box office and recorded a collection of Rs 62.05 crore. But the film dipped again on Monday as it only managed to earn around Rs 43 crore.

Interestingly, Salaar has beaten Shah Rukh Khan’s Pathaan, Jawan and Ranbir Kapoor’s Animal to become the biggest opener of 2023. While Pathaan had earned Rs 57 crore on its first day in India, Jawan and Animal had reported an opening of Rs 75 crore and Rs 63 crore, respectively.

Apart from Prabhas, Hombale Films’ production Salaar: Part 1: Ceasefire features Prithviraj Sukumaran, Shruti Haasan, and Jagapathi Babu in key roles. The film is produced by Vijay Kiragandur. Salaar has a duration of 2 hours and 55 minutes and was given an ‘A’ certificate by the censor board. The movie has several intense combat scenes, violence, and battle scenes.

The film received mixed reviews upon its arrival. News18 Showsha’s review of Salaar read, “The problem with a film like Salaar is that it focuses too much on the aesthetics and neglects the storyline. The film veers erratically back and forth between the past and present. I got a little lost in the movie way too soon because of the disorganized writing, characters that were introduced faster than a meteoroid colliding with Earth, and a plot that only really started up after the intermission.”

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